Friday, September 30, 2011

Imran Syed elected Chairman of the AAP

New office bearers of the AAP (L-R): Mansoor Karim, Imran Syed and Nadeem Akbar.


The Advertising Association of Pakistan (AAP) held its second AGM in Karachi recently, electing a new Executive Committee and Chairman.


Imran Syed, CEO, Adcom was elected as Chairman of the AAP, Nadeem Akbar, CEO, Midas Communications as Senior Vice Chairman, and Mansoor Karim, CEO, JWT Pakistan as Vice Chairman.


The Executive Committee also includes: Dara Bashir, CEO, MIL; Imran Irshad, CEO, Pirana, Mahmood Hashmi, CEO, Orient Advertising; Masood Hasan, CEO, Modem4; Sabiha Wahedna, Executive Director, Wahedna D’Arcy, Sayyed Ahmad Masud, MD, Channel 7 Communications; Sajjad A. Gul, CE, Evernew Concepts; and Syed Jawaid Iqbal, President & CEO, CMC.


Speaking to Aurora, Shahnoor Ahmed, CEO, Spectrum Y&R and former ad-hoc Chairman of the AAP said that in the last two years, the AAP has managed to send delegates from Pakistan to Adfest in Phuket (the Pakistani delegates bagged the Young Lotus Award), organise trainings, and has also been able to bring together the largest ever Pakistani delegation of over 100 delegates for AdAsia (to be held in New Delhi at the end of Oct). "We have also tried to make the Association a lot more professional than it was the past."


The challenge for the future, said Ahmed, will be to make the AAP a body that plays a vital role in creating linkages and partnerships between professionals who work within ad agencies.

Thursday, September 29, 2011

Pantene launches five new brand faces in Pakistan

Pantene, P&G's shampoo brand, announced its partnership with five women from different walks of life at an event held at Cafe Flo yesterday.

Pantene's new brand partners include two celebrities - model Aamina Sheikh (also the official spokesperson for  L'oreal Paris) and VJ Ayesha Omar (also a brand ambassador for Capri) - and three professional women: Barza Talha, Editor, Women's Own; career coach Asma Mustafa; and hair stylist, Meher Najeeb.

According to Faisal Waheed, Brand Manager, Pantene, the five women were chosen because they all "radiate inner strength" in their respective fields of work, which is also "an embodiment of Pantene's character". 


Aamina Sheikh

Ayesha Omar

Barza Talha

Asma Mustafa

Meher Najeeb

Monday, September 26, 2011

The case for humour

By Anam Hakeem

Recently, two big brands have taken the initiative to introduce a lighter side in their efforts to engage with their audiences.

In March, Sprite launched a campaign called the ‘University of Freshology’ (UoF) aimed at inspiring and teaching young people how to think in an out of the box way. The campaign is based on the insight that there is a strong common thread in the myriad, everyday problems the young face. These problems, dubbed as maslas, cut across age, SECs and cultural boundaries. The campaign was organised in three phases. In the first phase, the Sprite team spoke to young people across Pakistan about their concerns.

Bassam Qureshi, Assistant Brand Manager, Sprite says “We managed to put together a list of 100,000 concerns. It was most informative in terms of the way people think about their issues.”

In the second phase, TVCs highlighting the most common concerns were aired accompanied by humorous solutions. In phase three, Sprite took the social media route and spread the message via viral videos. 

Then in May, Lipton, as part of its ‘A Sip of Inspiration’ campaign, launched a TV show called Lipton Light On Hai (LLOH).

Ammar Anwar, Account Manager, Blitz DDB (Lipton’s creative agency) says that LLOH is an improv stand-up comedy show, inspired by the international show, ‘Whose Line Is It Anyway?’.

Lipton defines its primary target consumer as 18-32 year-old men and women. LLOH is based on the insight that tafreeh lagana (having a good time) is important to young people and the coolest in the group is always the person who is most fun to hang out with.

Looking at a wider audience, Arun Parwani, Head of Strategy, ESP (the agency that worked on LLOH) also believes that “comedy is a universal format” and anyone who appreciates humour will be amused by the show. He adds that “improv comedy is spur-of-the-moment. It’s not scripted, or rehearsed, and tied with Lipton’s proposition ‘sip of inspiration’, it gelled in very well.”

One of the great advertising pioneers, Claude Hopkins once said “People don’t buy from clowns.” However, keeping in mind changing media consumption habits and increasing media clutter, especially on TV, a bit of clowning around seamlessly woven in the brand’s USP, certainly does no harm.

Both UoF and LLOH are using comedy not as a deliberate strategy, rather as a part of the process where the brand idea is fused into a creative execution.

As Anwar points out, “LLOH is one of the many executions we have adopted as part of our ‘A Sip of Inspiration’ campaign. The common thread running through these activities is inspiration not comedy.”

He points out that LLOH is “the embodiment of Lipton’s brand attributes, including youthfulness, wit and sharp minds,” and that the idea is an emotive extension of the previous, more functional ‘Theanine Clears Your Mind’ campaign.

For Sprite, UoF marks a change in terms of its advertising approach, with humour introduced for the first time as a means to encourage young people to take a fresh perspective on their everyday problems; as Qureshi puts it, “Fresh thinking is rooted in humour. Comedians always look at situations from a fresh perspective.”

Anwar adds that “although humour may have a short-lived appeal, if you can choose the outlets to take the appeal to, how to make it interactive and accessible to the audience, you will definitely get results.”

Humour within the 30-second spot advertising context may help garner greater recall; however brands are going for more than mere recall; humour is being looked at as something which young people like to share, it is free publicity, it is viral and both companies have taken care to ensure they have a digital presence as well. For example, every episode of LLOH is updated on the Facebook page and Lipton’s fan page.

“Humour has what we call ‘share-value’.” says Anwar.

Sprite UoF is no different, and according to Qureshi, “The three viral videos had an impact on the internet; we had 60,000 plus hits, 100,000 text messages and so far we have 17,000 Facebook members.”

It is interesting to note that the message contained in both the campaigns seem to converge – i.e. the brand invigorating the mind. The similarities may perhaps be attributed to the fact that both brands fall under the beverage category.


Another key takeout from both campaigns is that marketing to young people doesn’t have to be a very expensive proposition. There are plenty of cost effective ways to get a message across, and if the message resonates, the rest of the work will be done by the target audience.

Anam Hakeem is Creative Executive, Manhattan Leo Burnett. anam_hakeem@khi.leoburnett.com.pk

First published in the September-October 2011 issue of Aurora.

Sunday, September 25, 2011

Selling blessings

By Marylou Andrew


When a bank changes its name, it usually implies a change in ownership, a merger or an acquisition. None of the above is precisely true in the case of the recently rebranded Burj Bank.

Formerly known as Dawood Islamic Bank (DIB), Burj Bank was created when two of DIB’s Middle Eastern investors – Islamic Corporation for Development of the Private Sector, Jeddah and Unicorn Investment Bank, Bahrain – decided to inject fresh capital into what had been a struggling enterprise for the last two years. According to insider sources, DIB’s growth began to stagnate from 2008 onwards, incurring losses worth Rs 536 million in 2010.

The fresh capital injection of about $21 million (two billion rupees) ensured that the bank would meet the minimum capital requirements laid down by the State Bank of Pakistan (SBP) and gave the Middle Eastern investors a 70% controlling interest in the bank. (This is reflected in the name, as burj is the Arabic word for tower.)

Pervez Said, CEO, Burj Bank explains that “Dawood Islamic Bank had strong connotations of being a Pakistani bank, which we are not, so we needed a brand name that reflected our product. Burj connotes height and our vision is to take the bank to the heights of Islamic banking; in fact we want to set a new standard for Islamic banking in Pakistan.”

Changing the name is obviously not enough to jumpstart growth, particularly when Burj Bank has one of the smallest asset bases in Pakistan (Rs 18 billion) and operates in a niche category within banking, i.e. Islamic banking. Although Islamic banking has garnered a seven percent market share since its introduction in Pakistan nine years ago (a significant achievement compared to a country like Malaysia which only managed a 12% share in 25 years), sustaining the momentum will depend on diversifying product offerings rather than replicating conventional banking products.

Said is aware of these realities and cognisant of the challenges Islamic banks face
in Pakistan.

“First, Islamic banks have small balance sheets and therefore a limited capacity for shock absorbency, which makes us risk averse. Secondly, Islamic banking is fairly new, therefore a lot of our internal structures have to be developed from scratch; we cannot borrow them from elsewhere.”

However, the opportunities are equally significant, particularly in terms of customer growth. According to Said, 20% of the population is not open to Islamic banking; some because they believe there is no concept of banking in Islam, others because they are satisfied with conventional banking services. However, the remaining 80% of the population is open to banking that offers Islamic finance.

The problem, says Said, is that most Islamic banks do not have the capacity to cater to such a large target audience, although Burj Bank is poised to give it a shot. The idea is to do things differently. For example, instead of brick and mortar branch expansion only, Said wants to focus on branchless banking and technology-based solutions.

In terms of target market, Burj has decided on what Said terms a ‘shotgun approach’, which will take into account two broad categories of consumers. First, the people who are outside the banking system because they believe it is haram, and second, the people who are part of the conventional banking system but will be attracted to Burj Bank because it offers ‘blessings’ for their wealth.

“Islamic banking is a challenging category,” says Said, “because the appeal is belief-based. However, if you try to sell people a stairway to heaven, they will shy away from it. Instead, we are appealing to people’s emotions by asking them to do something in line with their beliefs.”

Focus group discussions with several businessmen revealed a belief that went something like this: ‘when we switch from conventional to Islamic banking, our wealth and business is blessed by God.’

Keeping this in mind, Burj Bank’s tagline ‘Shariat mein barkat’ encompasses what Said calls a marketing approach to Islamic banking.

“Every Islamic bank offers pretty much the same products and services; what makes us different is that we are not selling banking, we are selling blessings.”


Burj Bank’s launch campaign uses green (the standard colour for Islamic banking advertising in Pakistan) to present a clean logo with an Arabic inspired script. The logo has four points outlining the bank’s credo: purity, integrity, passion and devotion.

Ali A. Rizvi, COO, Interflow Communications (Burj Bank’s newly-appointed creative and media agency) explains that while Burj Bank’s guiding principles are based on the Shari’ah, the advertising is extremely modern.

“Some people are wary about Islamic banking because they do not really understand how it works. With this campaign, we are trying to introduce Burj Bank in a positive light. Future campaigns will emphasise that while the bank is Shari’ah-compliant, it is not traditional. In fact there is no reason why the Shari’ah cannot be adapted to modern life.”

Said says the objective is to make Burj Bank accessible to all groups of people, regardless of their faith and creed.

“We want to offer innovative products and services so that regardless of whether our customers are Christian, Muslim or Hindu, they will have peace of mind when they bank with us, knowing that their money will be blessed. If they believe in our positioning and we can communicate it properly, they will remain our customers.”

Banking analysts question whether this is too lofty a goal for an Islamic bank with an extremely small paid-up capital and asset base. Of course, much will depend on educating people about the inherent value of Islamic banking. There is clearly room for growth in the Islamic banking sector, as evidenced by the growing number of players. However, will the average customer buy into Burj’s positioning of ‘selling blessings’?

First published in the September-October 2011 issue of Aurora.

Wednesday, September 21, 2011

Desktop Thinking


In his interview on page 22, Tariq Puri, the Chief Executive of the Trade Development Authority of Pakistan, paid tribute to the ingenuity and resilience of Pakistani exporters in defying the economic odds and finding ever new ways of engineering growth. The same is true about Pakistan’s larger business community, as this magazine has constantly been able to report growth in one sector after another despite the generalised gloominess all around, punctuated not only by a feeble investment climate, but now by an energy crisis of mounting proportions.

Yet in this issue, as we cover the beauty and personal care category, we see another sector that is showing signs of surging forward. Indeed, when Aurora last covered the category in 2005, the total worth of the market stood at $100 million; today it is worth $400 million (Rs 35 billion), a rather encouraging surge of 300%. The total worldwide worth of the market is $382 billion, and for further context, China’s worth in this category is $8.5 billion, and in 2009, India’s stood at $6.5 billion. The market in Pakistan is led by shampoo followed by skin care products, the latter being dominated by whitening creams.

Beauty products have always been marketable commodities in Pakistan. The earliest local pioneers in this category were Tibet Snow (Kohinoor Chemicals) and Kala Kola Hair Colour (United Trading Society). In fact, Tibet Snow and Tibet Talcum Powder (both highly prized for their ‘whitening’ properties) have achieved semi iconic status in Pakistan’s advertising hall of fame, if only for a style of packaging that is reminiscent of a bygone era. Tibet Snow’s current packaging, apart from the brighter colouration, has not changed in any detail from the original packaging, designed by a gentleman called Noor Ahmed in 1953 and titled Face and Hill. Even the blurb on the packaging has not changed: the product is touted as “an ideal after shaving and a perfect powder base.”  

Although both Tibet and Kala Kola are still going (in fact, they account for fairly hefty market share portions within their audience segments), matters have changed considerably since the days when, apart from locally manufactured products, most beauty brands were either imported or brought back in luggage from abroad, and this not only in terms of the number of brands available but also in their diversity.

Unilever and P&G Pakistan have predictably made the greatest impact, importing or manufacturing quality products which originally targeted a premium market and then slowly but surely penetrated the mass market too. The biggest game changer recently occurred with the launch in 2009 of L’Oréal Pakistan, signifying the entry of the first international ‘pure’ beauty company in the country. This is all in line with changing lifestyles in Pakistan. Not only are more women working, they are also earning more. Then there is the whole awareness aspect; that looking good not only changes one’s perspective, but also one’s prospects. There is also the emergent trend in men’s personal care products.

L’Oréal’s entry is only the tip of the iceberg; the company has still not deployed its full range of products, concentrating mainly on shampoo, hair dyes and a limited range of skin care brands. Added to this is the fact that L’Oréal also owns a range of other branded products which include consumer brands such as Helena Rubinstein, luxury brands such as Giorgio Armani, Lancôme and Ralph Lauren and active cosmetics such as Vichy and La Roche-Posay, all of which could eventually find a market here in Pakistan, albeit not in the near future.

Again, in this category, as in most other high-end consumer brands, adoption and growth is urban led and is likely to remain so, although rural Pakistan is certainly starting to show signs of growth, if only with whitening creams. What seems clear at the moment is that bauty and personal care is set to become one of the drivers of growth in Pakistan. The question is, what will happen to our local brands? And there are plenty in contention. So far most of them are doing well, benefiting as they do from low pricing and limited investment in marketing and packaging. However, there is nothing more personal than beauty and personal care, and international brands with their superior R&D driven quality, packaging and marketing, could eventually (and that is surely their ambition) attract consumer segments that at this point appear to be out of their range. Pakistani companies in the category need to wake up to this now and modernise and revamp their ideas and budgets. It would be a pity indeed if the early entrepreneurship of families such as the Allawallah family of Tibet Snow fame were to be squandered by the complacency of their successors. Pakistani companies engaged in the beauty and personal care category need to show some of their Pakistani ingenuity now.

First published in the September-October 2011 issue of Aurora. 

Monday, September 19, 2011

Vote for your favourite Aurora cover from 2011!

Did one of our covers from 2011 make an impact on you? Do you have a favourite? Check out the covers below and put your vote in the comments section here or in the comments section to this post on Facebook.

To vote, you can either put down the title or the month of your favourite cover - whatever it takes to make it clear to us ;)


The winning cover will be published in the Nov-Dec 2011 issue of Aurora.


January-February 2011
Power and responsibility



March-April 2011
Levelling the playing field



May-June 2011
Not in the lap of luxury... yet



July-August 2011
The big freeze



September-October 2011
Aspirations of beauty

Sunday, September 18, 2011

Highlights from the September-October 2011 issue of Aurora



Aspirations of Beauty – Beauty takes off in Pakistan.


Beauty and the East – Olivier Auroy on why Western companies need to learn the language of Eastern beauty.


Selling Blessings – Burj Bank makes a promise that cannot be refused.


Sunlight in the House – Sunlight makes a comeback.


Getting Ready for AdAsia – Interview with Madhukar Kamath, Group CEO & MD, Mudra Group and Ashish Bagga, CEO, The India Today Group.


Exporting Pakistan – Interview with Tariq Puri, Chief Executive, Trade Development Authority of Pakistan.


The ‘yes we can’ Agency – Interflow Communications in profile.


Trending the Media – Interview with Neil Stewart, CEO, Maxus Asia-Pacific.


The Google Plus Opportunity – Tips on how businesses can capitalise.


The China Double SIM Challenge – The Chinese handset assault.


Ramazan Syndromes – Adnan Syed on advertising in a slow month.


Visual Positioning – Faraz Maqsood Hamidi on making sure your brand is really seen.

Wednesday, September 14, 2011

“You are free… to go to any other place of worship in Pakistan…”

The Dawn Media Group has always acknowledged its legacy to Mr Jinnah, who founded the Group’s flagship newspaper, Dawn, on August 14th 1947. This is no more in evidence than in its corporate advertising - usually on August 14th (Independence Day), September 11th (Mr Jinnah’s death anniversary), and December 25th (Mr Jinnah’s birthday),  which based on extracts of Mr Jinnah’s speeches and other pronouncements, seek to empower Pakistani audiences with the wisdom of Mr Jinnah’s vision for Pakistan. This year’s campaign was based on the rights of minorities as Mr Jinnah envisioned them even before the nation was born. In previous years, the campaigns have focused on women’s rights, the dangers of ethnicity and the importance of good leadership and governance. In doing so, the idea has always been to keep Mr Jinnah’s vision of a country based on solid ethical and moral principles alive. In this year’s campaign the message resonates even more strongly with the question… “Are we as Pakistanis doing enough to advance Mr Jinnah’ dream?”